🔗 Share this article Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.” Unsteady Opening and Darkly Funny Duel The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley. Stylish Imagery and Promo-Inspired Sensibility There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene. Game is in British and Irish cinemas from November 17.